TRACY HAZAS (SAG/AEA) is a queer Cuban-American actor and movement director from Louisville, Kentucky based in New York.  (Hazas rhymes with the Spanish casas.)

Tracy has performed at various NYC theaters including New York City Center, Dixon Place, Abrons Art Center, Theater for the New City, HERE Arts Center and Punchdrunk’s McKittrick Hotel. She's collaborated with director Niegel Smith and performance artist Susana Cook; and been featured in physical theater works by choreographers Charles Moulton and Annie Loui. Most recently, Tracy performed in Preparedness at HERE Arts Center, co-produced by the Bushwick Starr. Read the NYTimes review here.

She is an affiliated artist with Counter-Balance Theater. Regionally, she’s performed at the Aurora Theatre Company and CenterREP in the Bay Area, among others. 

She made her feature debut in White Rabbit at Sundance 2018. Tracy is repped commercially by BBR Talent; clients include Tide, Xbox, Uber and others. Voiceover work includes KCRW’s podcast The Organist, (hosted by Andrew Leland) and narration for the Henry Ford Museum of American Innovation and the Eisenhower Presidential Memorial.

Tracy has held teaching appointments at Stanford University, Emerson College Los Angeles, Montclair State University and Queens College. BA, Smith College (Comparative Lit & Spanish); MA, NYU Tisch School (Performance Studies); MFA, UC Irvine (Acting).

NEWS: Tracy consulted on movement for Grief Hotel in Clubbed Thumb’s 2023 Summerworks at the Wild Project (dir. Tara Ahmadinejad), as well as for the Queens College production of The Late Wedding (2024, dir. Ahmadinejad); she also was movement director for Queens College’s fall 2023 production The Wolves (dir. Claudia Feldstein). In summer 2023, she was an NEH Faculty Fellow at Pig Iron Theatre Company’s Institute for Preserving and Transmitting American Ensemble-Based Devised Theatre.