WORK
Tracy as Haydée García-Shelton, an academic pushed to the edge, in Hillary Miller’s Preparedness. Co-produced by The Bushwick Starr at HERE Arts Center (Nov. — Dec. 2021). Reviews: The New York Times and Vulture. Photo: Maria Baranova. Also pictured: Luis Moreno.
oN-CAMERA
White Rabbit, Sundance Film Festival 2018, NEXT Feature Category
Directed by Daryl Wein | Story by Vivian Bang and Daryl Wein
Cast: Vivian Bang, Nana Ghana, Nico Evers-Swindel, Tracy Hazas
A dramatic comedy following a Korean-American performance artist (Vivian Bang) who struggles to be authentically heard and seen through her multiple identities in modern LA.
COMMERCIALS: clients include Xbox, Uber and others. List available upon request.
AmericanMD, web series
Written by Hillary Miller | Directed by Jason Bruffy
Produced by Tracy Hazas & Hillary Miller
Role: Cristina (lead)
Cast: Tracy Hazas, Samira Wiley, Kathryn Kates, Lou Liberatore, Jonathan Hooks, Sarah Ellen Stephens, Jacob A. Ware, Emily Alpren and Shawn Randall
A dark comedy about a group of freelancers and their quest to secure health care.
“Screen Tests” — a short film by Live Source Theater
Directed by Tyler Mercer | Texts by Chekhov and Shakespeare
THEATER / PERFORMANCE
The Monster-Builder, Aurora Theater Company, Berkeley, CA
Winner, Best Production, Bay Area Critics’ Circle
By Amy Freed | Directed by Art Manke
Role: Rita
A comedy about architecture gone mad.
Mirandolina! (Adaptation of Goldoni’s La locandiera), Center REPertory Company, Walnut Creek CA
Shellie Award Nomination, Best Actress
Adaptated and directed by Timothy Near
Role: Mirandolina
The Homophobes, Dixon Place, NYC
Written and directed by Susana Cook
A Mondo Cané! commission by Dixon Place.
Role: Alberta
A misunderstood miracle shakes a conservative congregation to its core in this clown show about sex and gender.
TOTALDETROIT, New York City & Detroit, MI
A performance walk conceived & led by Niegel Smith
Produced by Elastic City
Role: Caretaker
From the creator: “My teenage years were spent in Detroit. A city in continual decline. One that refuses to lose itself to those who fetishize its ruins. It’s been ten years since my return. I do it carefully. Can I speak for this place where I no longer live? Yes. And I’m taking you with me.”
The Idiot King, Dixon Place, NYC
Written & directed by Susana Cook
Role: Secretary of Intelligence
A new play in which Argentine-NYC performance artist Susana Cook examines parallels between dictatorship in Argentina and contemporary US politics.
Schiller’s Mary Stuart, Robert Cohen Theater, Irvine, CA
Peter Oswald version
Directed by Rob Salas
Role: Elizabeth
Blue Light, Robert Cohen Theater, Irvine, CA
Conceived and directed by Annie Loui, CounterBalance Theater
Written by Michelle Latiolais
The world premiere of a multimedia performance about the pursuit of wonderment in the abandoned Blue Light silver mines in Orange County, California.
Video Game Suite: 3 Dances, Stanford Art Gallery, Stanford University
Choreographer and performer.
Commissioned by the Stanford Arts Institute.
Sound design by Michael St. Clair.
An evening of three original site-specific dance pieces on the themes of technology and video games.
Nightingale, Exit Theater, San Francisco, CA
Winner, Best of SF Fringe
By Gia Battista | Directed Rob Salas
Produced by Davis Shakespeare Festival
Role: Marie; contributed to movement design.
A new play combining text, projections, movement and live music.
Love’s Labor’s Lost, Colorado Theatreworks, Colorado Springs, CO
Directed by Murray Ross
Role: Rosaline
Salve, American Realness Festival, Abrons Arts Center, NYC
A performance walk conceived & led by Todd Shalom and Niegel Smith
Produced by American Realness and Elastic City
Role: Caretaker
Gay Pierrot, HOT! Festival, Dixon Place, NYC
Written by Hillary Miller
Role: Pierrot
LIMBS: A Pageant, Living Room Festival, HERE Arts Center, NYC
Conceived & directed by Niegel Smith
Written by Nathan Christiansen, Hillary Miller, Zachary Price, Alva Rogers & Jordan Seavey
Role: Gulf War veteran
Five amputated soldiers — from WWI to the Korean War to Shock & Awe — arrive in the living room of an American family.
The Book of Tink, Robert Cohen Theater, Irvine, CA
Written by Erik Ehn | Directed by Jim Knipple
Role: Tinkerbell
MOVEMENT DIRECTION / COACHING
36 Stories by Sam Shepard, Word for Word Theater, Z Space, San Francisco, CA
Adapted & directed by Amy Kossow
Designed movement.
Oh, What a Lovely War!, Stanford University
Directed by Leslie Hill & Helen Paris
Production coursework co-taught by Hill, Paris & Hazas
Coached movement; designed and taught movement curriculum emphasizing Laban, commedia, mime and other stage movement techniques.
A Kingdom, a Country or a Wasteland, in the Snow, Stanford University
Written by Lola Arias | Directed by Kellen Hoxworth
Consulted on fight choreography and coached stage combatants.
Much Ado About Nothing and She Loves Me, Davis Shakespeare Festival
Director: Rob Salas
Designed and coached dance and movement sequences in two repertory productions.
Mirandolina!, Center REPertory Company, Walnut Creek, CA
Adaptation of Goldoni’s La locandiera
Adaptated & directed by Timothy Near
Consulted on 17th century movement.
Scene in Action, Stanford University Dance Division, Stanford Cantor Art Museum & Andersen Art Collection
Conceived & choreographed by Aleta Hayes
Led movement and acting workshops for dancers; taught theater period movement techniques.
Moby Dick, Rehearsed, Stanford Repertory Theater
Written by Orson Welles | Directed by Rush Rehm
Designed fight choreography and coached stage combatants.
VOICEOVER
The Henry Ford Museum of American Innovation, Dearborn, Michigan
Video Narration
The Organist podcast, KCRW/McSweeney’s
Host: Andrew Leland
Voiceover on “The Secret Life of Plants” episode, September 2018